Variety: Film Review: Christopher Nolan’s ‘Dunkirk’
Christopher Nolan recreates the World War II evacuation from land, sea and air, interweaving events in a bravura virtual-eyewitness account.
Steven Spielberg laid claim to the Normandy beach landing, Clint Eastwood owns Iwo Jima, and now, Christopher Nolan has authored the definitive cinematic version of Dunkirk. Unlike those other battles, however, this last was not a conventional victory, but more of a salvaged retreat, as the German offensive forced a massive evacuation of English troops early in World War II. And unlike those other two directors, Nolan is only nominally interested in the human side of the story as he puts his stamp on the heroic rescue operation, offering a bravura virtual-eyewitness account from multiple perspectives — one that fragments and then craftily interweaves events as seen from land, sea and air.
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WNU editor: This movie is long overdue.
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